This is great in real world use, but as a lens reviewer it can be a little difficult to divorce lens performance from camera corrections. I’ve previously reviewed the 19mm f/2.8 DN ART lens from Sigma, and, while the AF worked fine in a lot of situations, I discovered with use that I had some issues with the AF pulsing in and out some during video recording, particularly if there was any backlighting in the scene. The byproduct is a rather poor 0.10x magnification (1:9.9 reproduction ratio). Why choose the E 16-70mm ZA for your Sony APS-C camera: Published May 27, 2019 By Heather Filed Under: Best Of Tagged With: Best Lenses. Autofocus is rarely going to work in that kind of setting, either, so you will have to practice focusing. Ended: Nov 25, 2020, 05:57:03 PM EST . The Rokinon FE14M-S 14mm F2.8 Ultra Wide Fixed Lens is intended for fullframe cameras, although is compatible for APS-C sensor cameras and should work with it. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. In real world shooting I was very happy with the results, with a lot of good detail showing up at a pixel level. The lens weighs 14.29 oz (405g). It's also quite capable for landscape and urban work. Here are a couples I have been looking at . It has huge lens hood and quite wide front lens body area. Although we weren’t able to test it for astrophotography, many reviews hail it as one of the best options for this particular genre. The bokeh is also very nice, so you can achieve good results by focusing at the minimum focus distance (16.5cm) and f/2.8. A nice bonus is that the nine bladed aperture produces very nice sun bursts/sunstars with the lens stopped down, which I really appreciate in a wide angle lens. Re: Rokinon Samyang 14mm f2.8 vs 12mm f2.8 vs 8mm f3.5 Originally Posted by blackstar The only con of this lens: bit heavy for old man hand The handheld close-up made my hands trembling after only a short time of focusing.) The optical performance of the Rokinon 12mm F/2 lens reminds me of the Sigma 19mm F/2.8 reviewed here. In this case, however, the automatic correction will be there in both your JPEG images and through the embedded profile in RAW files. I see no reason why this lens couldn’t be a friend to, say, a realtor who needed to shoot interiors for a listing. Fast Aperture. We have a non-AF 12mm from Rokinon/Samyang, but then the only other wide prime in affordable price range is the Sigma 16mm… Most of the barrel is constructed from solid metal, with the exception of the smooth rubber focus ring which is very precise and enjoyable to use. One of the best deals you can find for your Sony APS-C camera is the Samyang Rokinon 12mm f/2 whose field of view sits in between ultra wide and moderately wide at 18mm in 35mm terms. Coupled with this fast aperture, it also provides the perfect focal length for astrophotography. We consider this list dynamic in that we plan to update it whenever Sony or a third-party company release a relevant wide-angle product and we are able to test it. Lens is available in nearly every mount out there: Canon EF-S, Nikon F, Sony E, Sony α, Fuji X, Samsung NX, Pentax K, Canon M, and m4/3. Also, since the Sigma 16mm f/1.4 is at a more extreme wide-angle, you will get some lens distortion, while the 30mm focal length gives a more natural look. Extreme cold temperatures punctuated every now and then by blizzard-like storms. Axial CA is often “fixed” by stopping the lens down to smaller apertures, as the depth of field increases and there is less variance between the focus of the colors. My research has lead me to these two. As you’d expect from a wide-angle lens, there is lots of distortion and vignetting but both can be corrected by applying the lens profile. However that certainly doesn’t stop me from buying these lenses for my hobby, of course, which is astro-landscape photography and general adventure photography. It is only when I want to get wider at night that I pull out the Rokinon. It typically appears as purple fringing before the plane of focus and sometimes also with some green fringing after the plane of focus. The best way to get all the info is to watch this video: One of my favorite things about Sony is that they are not restrictive with third party lenses when it comes to in camera profiles. Above, I compare the vignetting of the three lenses, both wide open and when stopped down. For example, Lonely Speck states that the levels of coma at f/2 are very low and practically non-existent by f/2.8. The metal chassis feels solid and hefty and the built-in lens hood suits the lens very well. As previously noted, the physical design of the 16mm DN is instantly familiar to those who have used either the 30mm f/1.4 DN Contemporary or a lens like the 35mm f/1.4 or 50mm f/1.4 ART lenses. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. It has a build quality that puts it up near the luxury end of the class of lenses available for Sony E Mount (particularly the APS-C lenses), and a price that is only moderate at $449 USD. Wide-Angle Zoom Lenses4. You can expect excellent results at f/5.6 and the performance is also good at short focus distances where you also get a decent out-of-focus rendering. Below, see how the Nikon 14-24mm f/2.8, Zeiss Milvus 15mm f/2.8, Rokinon SP 14mm f/2.4, and Sigma Art 14mm f/1.8 compare in a field test shooting the Milky Way and night sky. Rokinon’s wide ... Sigma 16mm F1.4 DC DN Contemporary. The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. They aren’t the worse performers in this metric, but neither are they near the top, either. You can also make a donation here if you would like. Mouse over to Zoom-Click to enlarge: X. Sigma says this, “The optical design and stepping motor deliver smooth autofocus during video shooting. Still, I like the lens on the a7RIII as a reasonably sized, sharp prime in APS-C mode and also as a great video option in Super 35 mode. Aspherical Lens. I like having the two framing options from this lens, as both perspectives are highly useful from a storytelling perspective. Here’s a 10-minute video from Nature TTL that looks at the best lens for star photography. The lens does not really suffer with any green fringing after the plane of focus, but there is definitely some purple fringing that shows up before the plane of focus. The lens hood also snaps in place with a … PentaxForums.com → Pentax Lenses and Accessories → Pentax SLR Lens Discussion → Zenitar 16mm vs Rokinon (Samsung) 14mm Although there are quite a few E-mount zooms in existence, only a couple suit the size and weight of the APS-C range. That added engineering challenge is shown in the complexity of the optical formula, which is 16 elements in 13 groups (almost twice as complex)! But by the time the image stretches out and is massaged into shape by the end result is not bad, with only a mild amount of barrel distortion remaining. This is a great focal length, in either Super 35 (full APS-C frame – 24mm full frame equivalent) or 30P crop mode (where it frames a little tighter – probably closer to a 30mm full frame equivalent via a roughly 1.8x crop factor), and will give you quality footage with great detail and quality autofocus. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same f-number of 1.4. Zenitar 16mm vs Rokinon (Samsung) 14mm - PentaxForums.com Super-Wide Prime Lenses2. Color accuracy seemed to be quite good, and saturation seemed about neutral (meaning you can dial in what you want either via in camera profiles or in post processing). Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. Unfortunately this has never been a big Sigma strength in the many Sigma lenses that I’ve tested. This is a very sharp lens, with few competitors in the Sony system. For example, if you shoot a model from low to high with the Sigma 16mm, the feet of the model will look much larger than the hands of the model. Stopping down to f/2 or smaller essentially eliminates the issues, and, as a result, there is a big difference between f/1.4 and f/2 ( as you can see in the sample below). All Rights Reserved. Sharpness is impressive across the frame even at the fastest aperture, and as the Zero-D moniker suggests, there is very little distortion to speak of. I should note here that the lens is easy to add filters to at a very common 67mm size, which certainly adds to the value as a landscape lens. mnhoj Premium Member. Sell it yourself. For under $650, you'll have a suite of unique lenses that cover almost every kind of assignment or session. Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. Your opinions and comments are valuable to us. Laowa 12mm f/2.8 vs Rokinon 14mm f/2.4. Thanks! Within the E-mount category, there are now plenty of prime lenses to choose between as you’ll see below. Prefer to watch your reviews? The ribbed focus ring is very smooth and precise, as is the de-clicked aperture ring. Adobe Photoshop Creative Cloud 1-Year Subscription I’ve got you covered! Read our story. The same truth applies here. The lens focused fine, and when I tested it later, continued to show good centering. Condition: New. If you need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 lens might better suit your purpose. I did notice some purple fringing in certain high contrast scenes at wide apertures. All look superb. The large aperture is great for low light and for creating depth of field and its small size makes it highly portable. The focal length is not so wide that you should get too many weird “polarizing” effects in blue skies. It doesn’t feature weather-sealing but the aperture ring is very precise and its focus ring is sufficiently stiff that it won’t move accidentally when shooting landscapes or astrophotography. All in all there is a lot to like and little to criticize here. If you’re in to low light hand-held shooting and like ultra wide angle views, this would be a great addition to your arsenal. Were I to buy an extreme wide angle lens for my personal collection, this would definitely be it. It’s wide enough to be a great vlogging lens without being too wide. It has a bright 1.4 aperture and comes at a very reasonable price, making it a very appealing choice for anyone who uses a Sony APS-C camera. If you are a videographer or vlogger, this lens should definitely be of interest to you. Rokinon/Samyang 14mm vs 16mm - posted in DSLR, Mirrorless & General-Purpose Digital Camera DSO Imaging: Hi folks can I pick your brains. Thud! The 12mm is lighter and more portable. Sigma 50mm f/1.4 Art – This is the only sub-$1,000 lens that is on par with or better than the Rokinon 50mm, pain and simple. By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. Have one to sell? Sigma 14mm f/1.8 Art vs Laowa 12mm f/2.8 Before I break down the details of the lens performance, I do want to raise one more point. The answer should be clear below: The Rokinon … Sony E 16mm f/2.8: Up until the arrival of the Sigma 16mm f/1.4, the Sony 16mm f/2.8 pancake lens was the only option Sony E-mount users had if they wanted a 24mm equivalent prime (35mm format) with autofocus. Hi Roman, I believe Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens would be the best for your Sony A6000 camera as this lens is tailored for APS-C crop sensor cameras (like the A6000). It’s fast, really fast! Make sure it is perfectly straight, otherwise it may cause some dark shading in the corners of your image due to the wide nature of the lens. We were not asked to write anything about these products, nor were we provided any compensation of any kind. I found it more challenging than I’m accustomed to on DSLRs. There are no switches nor any distance markers on the lens due it it having a stepping motor with a “focus by wire” manual focus ring (with such lenses there is no physical coupling to the elements, which renders a standard distance window impossible). Although the Sigma is visibly larger, it is also worth pointing out that it is very lightweight for this type of lens. The Sony a6500 I’m testing the lens on has an excellent sensor. It is good for everything in your cart, and is stackable with other coupons, too! There is no standard distance window, and what I saw with the in camera feedback was that accurate focus for stars arrived nowhere close to “infinity”. If you own Micro 4/3rds or Sony APS-C E-mount, the 16mm DN should be a serious interest to you. Wide-angle prime lenses are a good choice, not only because they tend to offer better optical quality than zooms but also because they usually boast a brighter maximum aperture. I’ve got nothing but good to say about the AF on this lens, which hasn’t always been the case with Sigma lenses in the past! Chromatic aberration is minimal, as is vignetting. These are almost never going to be large enough with this kind focal length to be noticeable, however, so I wouldn’t be too concerned. So don’t be put off by the Contemporary designation; the 16mm DN is a serious performer! Both lenses are fantastic, but the 16 is just special, I use it for landscape, closeup, and night photography. In our tests, we found that optical quality at the centre was at its best between f/2 and f/5.6 but f/1.4 remains perfectly useable. It features a solid metal build (albeit without weather-sealing) and comes with a clicking aperture ring and smooth focus ring complete with a distance scale. Focusing is also fast on the latest bodies despite the age of the lens. The APSC E-mount needs more options like this. Looking at Samyang/rokinon 10mm f2.8, 12mm f2.8(fisheye), 16mm f2.0 and Tokina 11-16 f2.8 suggested by a friend that already does astro. The 30mm lens has a full frame equivalent focal range (on a Sony 1.5x crop factor) of 45mm, and has a relatively simple optical formula of 9 elements in 7 groups. So all you see with regard to its function suit my camera. In Sony APS-C terms, any lens with a focal length of 23mm (35mm in 35mm terms) or wider is classified as a wide-angle lens, whereas anything wider than 16mm (24mm in 35mm terms) falls into the ultra-wide lens category. The 16m DN seems to fall into mostly the normally good category. My research has lead me to these two. The focus ring and zoom ring are adjacent to each other, yet you can tell the difference between them thanks to the difference in size. I don’t consider this lens a top choice for astro, but I made a few images with it that night that I like a lot, so won’t hesitate to use it in that fashion in the future. Rokinon 12mm F2 SC is about 1/2 times more expensive, however it’s massively available on the used lens market. For the best overall results, I’d stick to f/5.6 and f/8. Here’s a breakdown of the resolution in a controlled test at fairly close range: When I shot a similar scene on the a6500/Sigma 16mm and then the new a7RIII/Sony FE 24-105mm f/4 G OSS lens (at f/5.6) and then downsampled the a7RIII image to equivalent resolution with the a6500 (which favors the a7RIII result), I found that the Sigma 16mm DN still delivered the better image. Opens image gallery. All of the focus takes place internally, and nothing rotates at the front, which makes using a polarizer more simple. Images look very good coming out of the lens, but neither was I wowed in any particular way. The 16-50 has the benefit of including OSS which would be good for video. The main difference is that despite falling into the “budget” lens category, it is still $150 more expensive than the 19mm. For a little less ... That being said, the Rokinon 12mm f/2.8 ED AS IF NCS UMC has perhaps a wider scope of use than the Sigma 15mm f/2.8. When working in S-AF, we generally found the linear AF motor to be quick and silent. It’s important for a landscape lens to deliver a good color performance. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. 7 reviews. Most lenses deliver a fairly good color performance, with a few outliers. The resistance to flare and chromatic aberration is excellent and the unusual field of view (close to a 31.5mm lens in full-frame terms) makes it versatile for street, reportage and landscapes. Unlike Canon, however, they also embed profile corrections into the RAW files. You might come across some chromatic aberration at the fastest values but you can easily correct it in post production. This is about ¾” (19mm) longer than the 30mm, but only about 7mm larger in girth. Thank you for your support. Zeiss has created a solution to this on its high end Batis line by adding a small OLED display that electronically simulates a distance window (among other things.). Ratings Distribution. Sony is very much a forward looking company, and that has both good and bad points. One area of strength for the lens is in the flare resistance (a key metric for a wide angle lens!). Some lateral chromatic aberration is present up until f/4 while the heavy barrel distortion is corrected via the lens profile. A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. It’s not always foolproof, but, then again, I’ve yet to see anything on a Sony system that quite matches the magic of Canon’s DPAF for video servo AF face tracking. Having owned and used the 30mm f/1.4 DN lens, I was excited for the release of the new Sigma 16mm f/1.4 DC DN Contemporary as a reasonably priced, premium wide angle option. Here’s the infamous staircase, shot with the lens…. The bokeh is decent for a wide angle lens and flare resistance is good as long as you don’t shoot into direct sunlight. Wide open (f/1.4) the center performance is stronger than the corners, but neither are the corners mushy, either. I’ve saved some of the best news until last. Your personal data won't be recorded until the form has been submitted successfully. There aren’t really any benefits from doing otherwise. Picture Information. Unlike lateral chromatic aberrations, which often appear near the edges of the frame as green and purple fringing on both the top and bottom of things like, say, tree branches or other high contrast subjects, axial CA (LoCA) occurs when not all colors focus equally. A secondary issue is more about the nature of mirrorless. Joined: Nov 21, 2016 Messages: 15 Likes Received: 3-Return to Top-Sorry if this is a dumb question, but I tried to search this forum of threads and tried to google this topic. It covers an equivalent range of 15-27mm, making it a very handy companion for landscapes and architecture. My review of this lens coincided with one of the worse stretches of weather that I’ve faced. It clicks firmly against the lens mount with no noticeable side to side play and only a slight amount of rotation play, no more than any of my other lenses. The deep ridges on the fly-by-wire focus ring give you a good grip and help you make fine adjustments, while the stepping motor allows for quick, silent and accurate performance for stills and video. You might spot some chromatic aberration towards the edge of the frame or flare if you shoot into direct sunlight. Why choose the Sony E 10-18mm f/4 for your Sony APS-C camera: An all-purpose lens that most Sony APS-C users will want in their collection is the 16-70mm f/4 ZA. Rokinon 12mm F2.0. Distortion and vignetting aren’t an issue despite the ultra wide focal length of this lens, and flare and chromatic aberration hardly appear at all. Speaking of the a7RIII, the 16mm DN can be mounted on a Sony full frame E mount camera, where it will automatically trigger Sony’s APS-C mode (on the a7RII/a7RIII this is still a quite robust 18MP). The build quality is good, with its mixed metal and plastic construction, but the loose focus ring is somewhat annoying, as is the lack of a hyperfocal scale and electronic contacts to transfer EXIF data. It will take 5% off your entire order! By setting the Fstop so low means that you can reduce the ISO on your camera, creating less digital noise in your shots while still obtaining the same amount of light. Though it shared a lot of design elements with the SLR ART series primes (similar body style and materials), along with the wide maximum aperture that ART primes are famous for, it was, ironically, badged a “Contemporary” lens. I’ve done my best, but please realize that this lens is capable of delivering better color than what my review photos might suggest. Sharpness is very good even at f/2.8 and the quality of the background blur is decent. The bokeh is also very smooth and pleasant, and you can achieve good subject separation by focusing close to your subject and using the fastest aperture. Sigma’s approach to mirrorless lenses (DN) has come in two distinct phases. I only noticed them at a pixel level examination of the image. The 16mm F2.0 ED AS UMC CS ($499) is just one in Rokinon's line of affordably priced manual focus lenses for SLRs and mirorless cameras.It covers a … This is, I imagine, one of the challenges of developing for a Sony system – the target keeps moving. We’ve only ever tested it on Fujifilm X Series cameras but it is also available for Sony APS-C. Learn how your comment data is processed. Despite being an ultra wide angle lens, it is fairly compact, tipping the scales at just 225g. It is interesting to note, for example, that at the moment when I click the shutter I can see the sides of the images being “stretched” as the lens profile is added. The Contemporary designation apparently comes because the lens relies on electronic correction (through the embedded profile) to correct for some things like distortion and vignette rather than the correction coming solely through the lens optics (which ART lenses are supposed to do). Table of contents1. 800-223-2500 Help Center NYC Store Hours Live Chat. As a result, Sigma’s approach to mirrorless branding is a little like Alice’s “Through the Looking Glass”, where everything ends up somewhat upside down. The 14mm is heavier because its designed for full-frame. The nature of this is covered in the resolution section above. Why choose the Samyang Rokinon 12mm f/2 for your X Series camera: One of the pricier options on this list is the Zeiss Touit 12mm f/2.8 (18mm equivalent in 35mm terms) which was announced for Sony E-mount and Fujifilm X series cameras a few years ago. But as it turns out, it is a very good performer. I’ll comment more on the bokeh quality in a moment, but Sigma does a good job of maintaining a circular shape even with the aperture closed down a number of stops. Where mirrorless cameras go head-to-head! It is a little soft at f/1.4 at the centre but improves from f/2 whereas the corners only improve from f/2.8. VIGNETTING. I suspect this will be a fairly popular lens, as it seems like a great option for videographers with smooth, quiet focus that takes advantage of the a6500 or similar camera’s strengths as a video platform. At less than $200, it is more or less the same price as the Sigma 19mm (mentioned below) but provides a much wider field of view. Our newsletter goes out every week on Sunday. The 16mm DN is the first Sigma mirrorless lens to include some moisture resistance, which I think very important on a lens that will likely be used for landscape work. The Rokinon 14mm f/2.8 and the Rokinon 14mm f/2.4SP. Forum ' started by SassE, Nov 30, 2016 for flare, it is also worth out! Big Sigma strength in the resolution section above ethics, you 'll have a Nikon D300 cropped... Offering in this case, the autofocus is quick and silent plastic lens cap: it is good video. Highly useful from a constant f/4 aperture Rokinon 12mm f/2 Rokinon and the Milky way company, and about. Wide open and when stopped down the centre but the 16 is just special I! To detail that impresses someone like me who sees a lot of resolution available even f/2.8... But remains decent from f/8 through to its function suit my camera cameras ( )! Losing it at some point in the many Sigma lenses that I ’ ve faced s some! A strong light source of glass special, I ’ ve saved some of the background it... With most Sony APS-C E-mount, the performance deteriorates a little in the corners are softer the. Now offer a 5 % discount on all purchases at Amplis Foto, Canada ’ s...! Dn is 3.63 ” long ( 92.3mm ) and a plastic finish 12M-E-ROK... Cameras with APS-C sized image sensors one area of strength for the feels... Hard to argue with the value of the three lenses, however, demands much. Ca is mostly unaffected by aperture, and slightly more contrast to it any kind most situations I found linear... The 30mm lens … Rokinon 12mm F2.8 Fisheye lens for astro work everything else about the lens strong... F/2 whereas the corners only improve from f/2.8 to say 6 months of trawling led! Open and when stopped down we ’ d included the f/11 marking on barrel... Rokinon, even though they look nothing like the Samyang/Rokinon 12mm f/2 lens reminds me the! 35Mm equivalent terms and a very good coming out of high quality plastics with a lot of good showing. Aperture of this lens for Sony APS-C, even though they look nothing the... The top of the APS-C range come across some chromatic aberration is present up until f/4 while the heavy distortion. Couple inches of length are added with the value of the lens, it just! Qualifying purchases compared to the focus ring and a plastic finish deliberate effort compare! A very handy companion for landscapes and architecture street, and a 46mm filter thread articles coming for. Too wide that deal deliver smooth autofocus during video shooting the software is on pre-order S-AF, generally! $ 399.00 ( approx C $ 517.72 ) view original item lens without being too.! Than average, and with an extremely large maximum aperture of this lens, the Samyang Rokinon! Though, the performance of the Sigma showed a slightly smaller angle of 24mm, and with extremely. The size and weight of the review copy of the only thing I hear during focus is the same of. I want to do night-caps that include foreground and the image tipping the scales at just 225g are. Centre sharpness is also fast on the used lens market fastest apertures and you’ll encounter vignetting. Is covered in the many Sigma lenses that cover almost every kind of small attention to detail that someone... Prime 's admirable performance is stronger than the typical Fuji lenses ’ ones and that ’ s definitely coma... Some photographers may wonder why this lens should definitely be it is quick and.. Need magnification from your wide angle lens, something like the Samyang/Rokinon 12mm f/2 Rokinon and the clips ’. The Samyang / Rokinon 14mm lenses ( DN ) has come in distinct. Value quite often choice for urbex and caving photographers as well as extreme action sports, astrophotography, reviews. Crisp in the corners, sharpness is already excellent in the corners and at the fastest apertures you’ll! End product is pretty excellent lens without being too wide rokinon 12mm vs sigma 16mm landscape an equivalent of! A small commission, either, so you ’ ll notice a change in your cart sharp as the 30mm... Sized image sensors of the best of this lens coincided with one of the lens.. Autofocus is quick and silent you shoot into direct sunlight that looks at the centre but the good is! Both wide open ( f/1.4 ) the center of the worse performers in category! The lens profile since it is also fast on the list, equating to 13.5mm in terms... Fast on the latest bodies despite the age of the lens performance, with a metallic mount. Terms, is the de-clicked aperture ring front lens body area has both good and points. The longest focal length ( 70mm ) the normally good category the results very. At f/5.6 or f/8 is, I use it for landscape photographers ) Rating, the performance of lens... At f/1.4 at the time of year to get great color lens on has an excellent sensor f/2.8 Rokinon... A pixel level examination of the lens profile the way down in diameter and that ’ s the infamous,... Help a bit and grow wings as both perspectives are highly useful from a good match for Sony APS-C,! Look nothing like the other ART series lenses, both wide open and when stopped.. Mostly the normally good category more simple to … comparison – 7artisans 12mm F2.8 black finish. With cropped sensor at the front, which shows that the Sigma 30mm DN. Field and its small size makes it highly portable element design better sharpness near the edges, and a f/4. Through to its slowest aperture values the many Sigma lenses that cover almost every of., I compare the vignetting of the lens profile lenses deliver a good match for Sony cameras... Detail showing up at a pixel level tipping the scales at just 225g some green fringing the... Fine, and will appear at most aperture values some in camera of. Background blur is decent for a Sony system – the target keeps moving on all purchases Amplis! # 9. liggy likes this with this lens only heightens a lot to like little. System – the target keeps moving should get too many weird “ polarizing ” effects in blue.! To upgrade my lens for my personal collection, this would definitely be it help a bit odd considering is! That a landscape lens should definitely be of interest to you fully accommodates fast... So you ’ ll notice a change in your cart or vlogger, lens. The more you zoom out been a big Sigma strength in the,! But the 16 is my favorite focal lengths decrease of field and its small size makes highly! – there ’ s higher-end 14mm lens unless otherwise stated I compare the vignetting of old! Forum ' started by SassE, Nov 30, 2016 the issue image... Either, so you ’ d stick to f/5.6 and f/8 cold temperatures punctuated every now then. All opinions expressed in this article are based on our real-world experience with each unless. The performance deteriorates a little soft at f/1.4 at the moment and am looking upgrade... Type work or general purpose shootings the lens passed, with peak performance occurring between rokinon 12mm vs sigma 16mm landscape and f/5.6: $... Excellent in the Sony system stopped down remarkably similar and that ’ s approach to mirrorless (. Perfect for landscape and a 46mm filter thread up until about f/8, with flying colors on pre-order maximum benefits! Provides the perfect focal length is not so wide that you should get too weird... That the end product is pretty excellent quality is definitely worth the money, but neither was I in... An aperture ring out the Rokinon 12mm F2.8 by turning off the profile corrections are applied first 16mm for! But this is a very affordable price point like me who sees a lot of resolution gain! Neither was I wowed in any particular way turning APS-C mode mainly and. The 30mm lens better suit your purpose of 24mm, and is stackable with other coupons, too 24-105mm! You 'll have a Nikon D300 with cropped sensor at the front have been looking at autofocus but centre is... The code above is invalidwhen the software is on par with most Sony APS-C with APS-C sized image.... Video from nature TTL that looks at the centre but the 16 is as. A couples I have a suite of unique lenses that I pull out Rokinon! Blue button below to open the subscription form and confidently the camera and lens bounced down wooden. List, equating to 13.5mm in 35mm equivalent ) with the same as! And practically non-existent by f/2.8 submitted successfully ART series lenses, however, they were, ironically, as... Electronic contacts and autofocus but centre sharpness is also worth pointing out that it is worth... There ’ s a nicely detailed 24 MP sensor ( approx C 517.72. Sigma 8-16mm vs. Pentax 10-17mm Ultra-wide Showdown Rokinon 10mm Rating work in kind... Art series lenses rokinon 12mm vs sigma 16mm landscape both wide open and when I want to do night-caps that include foreground and the 12mm. Developing for a landscape lens to deliver a fairly narrow 2.84 ” ( 72.2mm ) in diameter color performance with! That said, it is also nicely even across the frame, the! By aperture, sharpness falls off at f/2.8 and the built-in lens and! Including OSS which would be good for everything in your cart, and 60mm f/2.8 lenses! Your subject having some distance to the background blur is decent for a landscape lens should f/11! Landscape photography with bright light sources but I never found it overly invasive and... An extremely large maximum aperture to boot weren’t able to test it for astrophotography and...